{"id":20265,"date":"2025-03-20T22:38:42","date_gmt":"2025-03-21T04:38:42","guid":{"rendered":"https:\/\/thelink.harding.edu\/the-bison\/?p=20265"},"modified":"2025-03-20T22:38:42","modified_gmt":"2025-03-21T04:38:42","slug":"maybe-i-dont-want-to-be-the-bad-guy-anymore","status":"publish","type":"post","link":"https:\/\/thelink.harding.edu\/the-bison\/2025\/03\/20\/maybe-i-dont-want-to-be-the-bad-guy-anymore\/","title":{"rendered":"Maybe I don&#8217;t want to be the bad guy anymore!"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"693\" height=\"800\" src=\"https:\/\/thelink.harding.edu\/the-bison\/wp-content\/uploads\/sites\/8\/megamind.png\" alt=\"\" class=\"wp-image-20266\" style=\"width:313px;height:auto\" srcset=\"https:\/\/thelink.harding.edu\/the-bison\/wp-content\/uploads\/sites\/8\/megamind.png 693w, https:\/\/thelink.harding.edu\/the-bison\/wp-content\/uploads\/sites\/8\/megamind-260x300.png 260w, https:\/\/thelink.harding.edu\/the-bison\/wp-content\/uploads\/sites\/8\/megamind-585x675.png 585w\" sizes=\"auto, (max-width: 693px) 100vw, 693px\" \/><\/figure>\n\n\n\n<p>Written by Camille Bewley<\/p>\n\n\n\n<p>This is everyone\u2019s reminder to watch \u201cMegamind\u201d<em> <\/em>this semester. Those who have seen it before, watch it again; those who have never seen it, do not hesitate to resolve this oversight. Why?&nbsp;<\/p>\n\n\n\n<p>The movie \u201cMegamind\u201d<em> <\/em>was released in 2010, starring Will Ferrell as Megamind, Tina Fey as Roxanne Ritchi, Jonah Hill as Titan and Brad Pitt as MetroMan. Megamind believes himself destined for the role of supervillain, as he fights against MetroMan in Metro City\u2026 at the beginning. This movie covers multiple major themes that might be considered deep for a children\u2019s film. Yet, this characteristic is exactly what makes it such an important work of cinema. Let&#8217;s break a few of them down:&nbsp;<\/p>\n\n\n\n<p>A foundational theme throughout is friendship; Megamind\u2019s angst with his \u201cMinion\u201d named Fish is the greatest example; they return to each other and forgive for past disagreements and misunderstandings. Throughout the story they support each other (mostly Fish of Megamind\u2019s goals), and grow into their true selves, forging their own path.&nbsp;<\/p>\n\n\n\n<p>Such support is beneficial for another set of themes: identity, background, racism and destiny. Megamind and Metro Man are characterized by their unique backgrounds \u2013 MetroMan\u2019s wealthy, safe home; Megamind\u2019s childhood in prison \u2013 which distinguish them from each other and explain the positions they take at the beginning of the film. The movie covers the racism toward Megamind by the school children, the favoritism (and beauty privilege) given to MetroMan and how each defines their presupposed identities. MetroMan is somewhat <em>predestined <\/em>to become a hero; his powers and prestige creating expectations of greatness that he spends his life trying to meet. Similarly, MegaMind is a product of his environment. Megamind faces hatred and mistreatment for being different, leading him to believe, \u201cI\u2019m the bad guy. I don\u2019t save the day. I don\u2019t fly off into the sunset. And I don\u2019t get the girl.\u201d&nbsp;<\/p>\n\n\n\n<p>But maybe identity and destiny are not defined by our backgrounds or others\u2019 perspectives? Megamind starts by identifying with the villain archetype, but when true love enters his life, and he faces an opponent much worse than he had ever considered being himself, he is forced to reexamine the labels forced on him and decide if he wants to continue living them or change. Before that, MetroMan introduces a new, pertinent theme: self-care.&nbsp;<\/p>\n\n\n\n<p>After years of fulfilling expectations placed on his shoulders simply for having powers, MetroMan decides he\u2019s done. He\u2019s tired of \u201cgoing through the motions,\u201d and being what everyone else wants him to be, so he takes time for <em>self-care<\/em>; for making music in the privacy of his underground home, refusing to return even when Tighten threatens the city\u2019s destruction. Rather, MetroMan shows his colors as a good person and true friend by encouraging Megamind to do the same as him: not live a life of solitude, but to rethink the expectations and assumptions of the people and consider being something new\u2026&nbsp;<\/p>\n\n\n\n<p>Here\u2019s the greatest theme of the film: purpose. Megamind realizes, through his relationship with Roxanne, his interactions with a very tired MetroMan, and also the immediate threat of total destruction from Tighten, he needs to rethink his archetypal identity. Without ever sacrificing his exotic personality or presentational strengths, Megamind surpasses labels altogether and achieves his own purpose: helping people. He finishes out with, \u201cFunny. I guess destiny isn\u2019t the path chosen for us, but the path we choose for ourselves.\u201d<\/p>\n\n\n\n<p>Have I convinced you to watch it? For the first or hundredth time? I hope so; I watched it as I wrote this. Here\u2019s a few themes I didn&#8217;t extend on: authentic love (Roxanne), with great power comes great responsibility (Tighten), \u201cThere\u2019s a benefit to losing, you get to learn from your mistakes,\u201d &#8211; Megamind, and there are so many more; that is what makes it so good. Need an image of true friendship? A reminder that backgrounds and life situations don\u2019t define you? Need a push to discard labels or stereotypes and consider your true potential and purpose? I\u2019ll save you time, they\u2019re all enshrined in \u201cMegamind.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Written by Camille Bewley This is everyone\u2019s reminder to watch \u201cMegamind\u201d this semester. Those who have seen it before, watch it again; those who have never seen it, do not&hellip;<\/p>\n","protected":false},"author":15086,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25],"tags":[],"class_list":["post-20265","post","type-post","status-publish","format-standard","hentry","category-opinions"],"_links":{"self":[{"href":"https:\/\/thelink.harding.edu\/the-bison\/wp-json\/wp\/v2\/posts\/20265","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thelink.harding.edu\/the-bison\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thelink.harding.edu\/the-bison\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thelink.harding.edu\/the-bison\/wp-json\/wp\/v2\/users\/15086"}],"replies":[{"embeddable":true,"href":"https:\/\/thelink.harding.edu\/the-bison\/wp-json\/wp\/v2\/comments?post=20265"}],"version-history":[{"count":1,"href":"https:\/\/thelink.harding.edu\/the-bison\/wp-json\/wp\/v2\/posts\/20265\/revisions"}],"predecessor-version":[{"id":20267,"href":"https:\/\/thelink.harding.edu\/the-bison\/wp-json\/wp\/v2\/posts\/20265\/revisions\/20267"}],"wp:attachment":[{"href":"https:\/\/thelink.harding.edu\/the-bison\/wp-json\/wp\/v2\/media?parent=20265"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thelink.harding.edu\/the-bison\/wp-json\/wp\/v2\/categories?post=20265"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thelink.harding.edu\/the-bison\/wp-json\/wp\/v2\/tags?post=20265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}