Written by Elliott Coombes \/\/ Photo provided by Brinson Davenport<\/p>\n\n\n\n
Senior Brinson Davenport was honored for his documentary, \u201cthe ambassadors,\u201d by the Broadcast Education Association Festival of Media Arts. The winners were announced Feb. 16. Davenport placed first in the short-form documentary category and was awarded \u201cBest of Festival\u201d for all student documentaries. <\/p>\n\n\n\n
The documentary told the story of Harding’s custodial staff and was inspired by a conversation with Davenport’s aunt alongside a persistent curiosity about custodians’ role at the University.\u00a0The film was accompanied by a research paper supervised by Dr. Jack Shock, distinguished professor of communication. <\/p>\n\n\n\n
\u201cIn our senior research class, COMM 4150, everybody has to do a research project where they generate original primary data,\u201d Shock said. \u201cBut Brinson said, \u2018I want to make a documentary.\u2019 That\u2019s the first time in 30 years someone has done that, the very first time. And I said, \u2018That sounds great, go for it,\u2019 and he did, and he won this enormous national award for it.\u201d <\/p>\n\n\n\n
Over the course of three back-to-back nights, Davenport filmed and interviewed custodians from both the day and night shifts, and afterward spent about five days editing the footage. <\/p>\n\n\n\n
\u201cFrom a physical perspective, it was tough,\u201d Davenport said. \u201cRunning around filming was really exhausting, but I could tell there was this feeling in the air that something special was happening and that motivated me.\u201d <\/p>\n\n\n\n
Davenport said the reaction he received from these interviews surprised him. <\/p>\n\n\n\n
\u201cYou could also tell this was an opportunity that they didn\u2019t get very often at all and maybe never,\u201d Davenport said. \u201cJust listening to how some of them responded, it was clear that sometimes they just don\u2019t get much appreciation at all.\u201d <\/p>\n\n\n\n
Davenport said the custodians are rarely thanked for their work, which is something he believes is wrong. <\/p>\n\n\n\n
\u201cOne custodian we talked to said we were only the fourth people in the whole year to say thank you to him,\u201d Davenport said. \u201cWhen we said ‘Thank you for your work,’ he stared at us like a deer in the headlights for a second. It took him so off guard.\u201d <\/p>\n\n\n\n
Professor of communication Dr. Charles Bane complimented the strength of Davenport\u2019s documentary. <\/p>\n\n\n\n
\u201cThe great thing about documentary in general is it tells stories that often are not told,\u201d Bane said. \u201c \u2026 I think that\u2019s the best part of it is he found a story that needed to be told to remind people about everyone it takes to keep this university going.\u201d <\/p>\n\n\n\n
Bane also noted strength of Davenport\u2019s documentary skills. <\/p>\n\n\n\n
\u201cHe\u2019s got the eye to know how to frame the shots, and he knows how to put the shots together for maximum emotional impact,\u201d Bane said. \u201cAnd I think that\u2019s why he\u2019s sort of leaning towards documentary.\u201d <\/p>\n\n\n\n
Davenport has been working with narrative short fiction films in the past, but documentary is a new step for him, he said. <\/p>\n\n\n\n
\u201cI think I\u2019ve always had a natural bend toward realism, but I think because of the nature of a documentary being reality, it\u2019s easier to make an impact with documentary than maybe a narrative short film,\u201d Davenport said. \u201c\u2026 I think it brings more honor to the subjects of the film when it\u2019s a documentary, because it\u2019s a personal story.<\/p>\n\n\n\n